Why I copyfight Cory Doctorow
An extract :
Indeed, copyists are busily building an elaborate ethos of what can and can't be shared, and with whom, and under what circumstances. They join private sharing circles, argue norms among themselves, and in word and deed create a plethora of "para-copyrights" that reflect a cultural understanding of what they're meant to be doing.
The tragedy is that these para-copyrights have almost nothing in common with actual copyright law. No matter how hard you adhere to them, you're probably breaking the law — so if you're in making anime music videos (videos for pop music made by cleverly splicing together clips of anime movies — google for "amv" to see examples), you can abide by all the rules of your group about not showing them to outsiders and only using certain sources for music and video, but you're still committing millions of dollars' worth of infringement every time you sit down to your keyboard.
It's not surprising that para-copyright and copyright don't have much to say to one another. After all, copyright regulates what giant companies do with each other. Para-copyright regulates what individuals do with each other in a cultural settings. Why be surprised that these rulesets are so disjointed?
It's entirely possible that there's a detente to be reached between the copyists and the copyright holders: a set of rules that only try to encompass "culture" and not "industry." But the only way to bring copyists to the table is to stop insisting that all unauthorized copying is theft and a
crime and wrong. People who know that copying is simple, good, and beneficial hear that and assume that you're either talking nonsense or that you're talking about someone else.